The short film is my current favourite art form. Narrative and dialogue stripped down to essentials. No subplots, character development, ‘stars’ or mumbling. Just a zap of pure storytelling, or poetry. Anything is possible,
The Emily Dickinson of 20th century photography, Vivian Maier is often described in terms irrelevant to her art: unmarried, nanny, eccentric, odd, mysterious, foreign – Mary Poppins with a Rolleiflex. Finding Vivian Maier sticks closely with these irrelevancies.